Maestro Riccardo Frizza is an Italian conductor and a charming, pleasant human being. But don’t take my word for it, read the interview he gave me here or click on his photo and judge for yourself. Find out why he thinks “music is an exchange of effort and energy” and a lot, lot more. Enjoy!
Out of my window shines the silver moon
but sadness floods silently my heart.
My chest fills quietly with gloom
and dry, invisible tears pull me apart.
Birds continue to fly,
Rivers don’t stop their flow,
Forests still reach for the sky
And stars maintain their glow.
The sea persists in its motion,
Children still play on the sands.
Suitors search for a love potion
with flowers dancing in their hands.
The sun covered its light
And in my chest a red rose bled.
Her future is no longer bright
It was the end. Gerda is dead.
Poem by me / Photograph: Malcolm Bull
The London Symphony Orchestra Opening Concert for the 2016-17 Season
John Neumeier (b. 1942) is an award winning choreographer born in the United States but who has worked for most of his life in Germany and is the artistic director of the Hamburg Ballet.
Alexander Pushkin (1799-1837) should need no introduction. As one of the greatest figures of Russian Literature many people will know his work by name even if they’ve never read it – just a few examples are Eugene Onegin, Ruslan and Ludmila and Mozart and Salieri, to name just a few.
So it was a great pleasure for me to review the blu-ray of the new ballet by Neumeier (one of my favourite choreographers), based on Eugene Onegin, a novel in verse by Pushkin (one of my favourite authors and poets).
The ballet is called Tatiana (the heroine in the novel) and is a cracker – beautiful, elegant with unusual gorgeous choreography and extraordinary performances. One to watch and enjoy time and time again – read my review here.
Opera inspires and so do beautiful buildings. Both come together in harmony and exquisite proportions at the Opera House in Dresden, Germany.
I was inspired to write the poem below after a performance of Rossini’s opera William Tell and the beauty of the Dresdner opera is a gorgeous tribute to the power of music.
I saw the fairies and felt the caves,
touched the woods
and crossed the waves,
swam through the rain,
glided the storm and surfed the pain
engraved in the music form.
I felt the call of the night
in clear arpeggios of fountains dried
and in the heat of the fight
I stumbled, I cried
I broke the crystalline light.
In peril, I hovered over luminous voices
but fearless I rode the ocean
and stared at my choices.
And then, just closing my eyes,
I saw the music
in flowers of motion,
rainbows and skies.
And the heavens opened
crushing my heart,
leaving the silence to tear me apart.
Poem by myself (Margarida Mota-Bull, nom de plume M G da Mota) / Photograph of the Dresdner Opera courtesy of Malcolm Bull
After the premiere of Mozart’s opera Die Entführung aus dem Serail (The Abduction from the Seraglio or Harem), it is said that Emperor Joseph II told the composer something around these lines: “Too beautiful for our ears, my dear Mozart, and an awful lot of notes.” To which Mozart replied: “Exactly as many as are necessary, Your Majesty.” It isn’t certain if this episode ever took place but if the Emperor really said that, Mozart’s reply was in line with his personality and with the fact he knew the quality of his music. As a composer Mozart was far ahead of his time and aware of it.
“Too many notes” doesn’t refer only to the exotic Turkish elements Mozart introduced in the opera which are in line with the location where the plot takes place, Mozart’s music also describes the characters as well as words or, to my mind, even better, displaying his great sense of the dramatic. This wasn’t happening in opera until Mozart came along.
A semi-staging of Glyndebourne Festival’s production of Die Entführung aus dem Serail was presented at the BBC Proms last Friday, 14th Aug at the Royal Albert Hall. It was a lovely evening of music with the cast in costume and the fabulous Orchestra of the Age of Enlightenment, led by Robin Ticciati, giving an authentic, energetic and beautiful performance of Mozart’s great opera. I had the pleasure of reviewing it.
All photos by Chris Christodoulou, courtesy of the BBC Proms Press Office –
Except feature photo above “Seascape of Normandy” courtesy of Malcolm Bull
The First Night Goes With a Bang…Literally!
Read my review here.
Master Singers: Advice from the Stage is a book by pianist Lucy Mauro and tenor Donald George. It is a compilation of opinions, advice and experiences by some of the most famous opera singers in the world today. Some of the singers are names that need no introduction: Jonas Kaufmann, Joseph Calleja, Joyce DiDonato, Lawrence Brownlee to name only a few.
I enjoyed it immensely and had the pleasure of writing a review. It was like going through a long, collective interview with lots of interesting people. I’d recommend it not only if you’re a young singer at the beginning of your career but also if you’re just a keen reader who loves music, opera and would like a glimpse into the world of some of today’s greatest operatic stars. Masters Singers is to my mind a must in the bookshelves or kindle collections of any self-respecting bookworm.
Photos from Lucy Mauro (left) and
Donald George (right) courtesy of
Ms Mauro and Mr George themselves.
Elschenbroich plays on loan a Gofriller cello from 1693 and is passionate about the instrument and about music. He lives in London with his girlfriend, violinist Nicola Benedetti.
The full interview is long but well worth the effort of reading it. You will seldom find a person as fascinating and Elschenbroich. Enjoy.
Photo of Leonard Elschenbroich by Felix Broede, courtesy of Mr Elschenbroich’s management
The Berliner Philharmoniker has what they call the Digital Concert Hall, meaning they stream live concerts or recordings via the internet. All you have to do is buy a ticket of a subscription. It is brilliant.
Some concerts are also broadcast live to cinemas all over Europe, including the UK. I was lucky to be able to review an all Beethoven programme by the extraordinary orchestra that is the Berliner Philharmoniker conducted by Bernard Haitink and featuring outstanding violinist Isabelle Leonard. It was a real treat. You can read the review here.