Maestro Riccardo Frizza is an Italian conductor and a charming, pleasant human being. But don’t take my word for it, read the interview he gave me here or click on his photo and judge for yourself. Find out why he thinks “music is an exchange of effort and energy” and a lot, lot more. Enjoy!
African-American tenor Russell Thomas is the owner of an extraordinary voice and an interesting, intelligent, articulate and friendly personality. Interviewing him was a pleasure that I thoroughly enjoyed. I hope you will too.
Read here or click on the photo.
Photo of Mr Thomas by Fay Fox, courtesy of Karen Kriendler Nelson (KKN Enterprises) – Mr Thomas’s Personal Press Representative
Sacred Duets – an unusual work featuring repertoire that is seldom heard, well delivered by countertenor Valer Sabadus and soprano Nuria Rial owner of a lovely clear, pure and pristine voice. Whether you are religious or not this comes just in time for Easter. Review can be read here or by clicking on above CD cover.
On Saturday 4th October I went to the Royal Opera House where I interviewed young Albanian tenor Saimir Pirgu.
Intelligent, committed to his art, professional and with a good sense of humour, he was a very interesting subject to interview. You can read it here.
Photo of Saimir Pirgu as Alfredo in the Metropolitan Opera’s production of Verdi’s La Traviata, New York, by Ken Howard – courtesy of Mr Pirgu’s PR Karen Kriendler Nelson of KKN Enterprises
Wonderful, lively and colourful. Beautiful singing and fabulous acting. These words summarise the very enjoyable summer performance of Jette Parker Young Artists Programme of the Royal Opera House, which I had the pleasure of reviewing.
Click here to read the full review.
Portuguese tenor Luis Gomes and Brazilian baritone Michel de Souza are part of one of the most prestigious young artists’ programmes in the world. I am talking about the Royal Opera House’s Jette Parker Young Artists Programme.
I went to meet Luis and Michel on Friday, July 11. I was curious to discover how they came to opera, as neither Portugal nor Brazil are countries with a great operatic tradition, and what it means for them to be a part of the Jette Parker programme.
It was a delightful experience, as they are both very pleasant and dedicated to their art. I think they are real stars of the future and it was a great pleasure to talk to them. Enjoy reading the interviews by clicking on the photos.
Photos of Luis Gomes and Michel de Souza courtesy of the Royal Opera House
Christiane Karg is a young German soprano (33) with a flourishing international career, which has naturally developed from her already celebrated, distinguished work in Germany and Austria. She is the owner of a delightful voice, with crystal clear tone and easy, very warm high notes, a solid, accomplished technique and an admirable enunciation and intonation of whatever language she happens to be singing. Her personality is cheerful, straight-forward, open and honest but at the same time she is vivacious, spontaneous and there is a quiet strength that emanates from within her once she begins to speak about her work.
She is an honest, determined, passionate singer and a charming, spontaneous, warm and genuine human being. Her energy and vivacity are contagious; her knowledge and professionalism commendable. Whether she is speaking about herself, her colleagues or her work, she is always open in her opinions, truthful and appealingly natural. In a world where image and perception seem to be everything, Ms Karg was to me a real breath of fresh air. Read my full interview with Christiane Karg. Enjoy!
Michael Grandage’s production of Mozart’s opera “Le nozze di Figaro” for Glyndebourne transports the action to the 1960s. It is a different, refreshing approach and it generally works well as far as the comedy is concerned; however, the political ideas embedded in the piece by Mozart and his librettist, Lorenzo da Ponte, are lost. Nevertheless, it is entertaining and pleasing, as most of the audience warmly showed with their enthusiastic applause, last Saturday, 8th June when I had the pleasure of attending the opera and review it for Seen and Heard International.
It was a lovely sunny day and alongside Mozart’s sublime, faultless music and Glyndebourne’s beautiful settings, it all contributed for a wonderful summer evening of music. Read my review here.
My latest novel, The Dark Side of Dawn, received a glowing review from Robert Beattie of MusicWeb International. You can click here to read it or on one of the pictures.