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- BiographyM G da Mota, which is the name that the author uses for fiction, is a variation of her real name: Margarida Mota-Bull. This nom de plume is a kind of modest tribute to her parents, as in Portugal (her native country) children are given both their parents’ surnames. So the G stands for her mother’s surname and da Mota is her father’s. M G da Mota’s novels are not only entertaining when one needs to relax and escape from one’s daily worries, but are also informative: If you like to learn about opera and classical music, past and present, in an enjoyable, original way; then M G da Mota’s work is definitely for you. She has a deep affection for opera because the human voice is a beautiful instrument and opera singers take it to another level. M G da Mota likes all voice types but her favourite is the tenor’s voice, which is why she chose it as the subject of her novel Canto di Tenore. M G da Mota has dual nationality: British and Portuguese. She gained a Masters Degree in Modern Languages and Literature in her native country of Portugal and is fluent in four languages.…
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- Music Reviews / Artists’ InterviewsMargarida Mota Bull writes regular reviews of classical music CDs, DVDs, books and live concerts for an international, distinguished classical music magazine on the web: MusicWeb International. She also conducts interviews with notable people in the world of classical music and opera, such as Americans Joyce DiDonato and Lawrence Brownlee.
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“NTA”! Can you guess?
0NTA stands for “No Tenors Allowed” and that was the original (and imaginative) title of a CD with arias for baritone and bass released in the nineteen nineties by Thomas Hampson and Samuel Ramey, respectively a baritone and a bass. The CD has been recently re-released, sadly under a …
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